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Two research engines for the details a media workflow depends on: the difficult edge, and the difference between recovered detail and a guess.

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Neural matting and retouching

Separate subjects, garments and accessories from any background without a green screen. Then remove wrinkles and blemishes while keeping the character of the material.

ExtractRefineRecompose

For fashion e-commerce, creative agencies and finishing houses.

Source frame of a red knit hat and facePhotoEdges
Sobel edge preview computed in your browser. Not the matting model.
Corridor CCTV frame with a person walking toward the cameraNeeds review
Illustration built from a supplied reference frame by downsampling. Not model output.
Forensic super-resolution

Enhance degraded CCTV and low-bitrate frames, with a pixel-level uncertainty map that tells an operator where the model may be synthesising plausible detail instead of recovering it.

For security auditing teams reviewing degraded footage.

A sharper image invites more trust than it has earned. The gate is designed to push back.

A map, not a verdict.

The gate produces a variance map across the frame. High-variance regions are where the source signal no longer supports the output.

Human review by default.

Flagged regions are surfaced to the operator instead of being smoothed over. The model never decides what counts as evidence.

Calibration comes first.

The estimator and its thresholds need calibration on representative footage before any output is used in a review.

Shown in amber, always labelled.

Amber is reserved for uncertainty across our products, and it always comes with words, never colour alone.

Cloud workers

Planned
Input
Image and video batches
Output
Mattes, layers, enhanced frames
For
E-commerce and media pipelines

Local CLI

Planned
Input
Studio files on disk
Output
Layers and uncertainty maps
For
Post-production and finishing

Tell us what you need to protect, extract or inspect. We'll tell you honestly whether our engines can help yet.

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